"Perfume: the story of the killer" in known as the "German oscars" of the 57th Germany won a silver trophy on the film festival, there is no doubt that to a certain extent, shows the secondary wake regarding the original rewrite the success. However, this success is due to the original essence of deep understanding and inheritance, as director in the historical context of the current down about the ability of fairy tales, namely, by putting the myth fable popularization, commercialization in order to get accustomed to film a movie thinking ability of the contemporary audience more resonance. This ability on the one hand, rely on technical means, such as language and imaging technology through the lens will be for the capture of odour and visual experience, through the plastic arts and props technology to reconstruct the 18th world Paris society fashion luxury depravity and filth, dark corner... And so on -- this is certainly tiwick's strength; Is on the other hand, through the selection of the original content, omission, rewritten to build more in line with the psychological demand of style and plot, and that the image structure capable of wake, also seems to be a problem. Perfume: the story of a killer, just from the name it's easy to think that all to tell the tale of horror in strange way, that is similar to the breathtaking/solve the composition of the way and provide narrative text with possibility of game. But, apparently, tiwick didn't focus on establishing a pattern, logic, or explanation, and the possibility of rebuilding an unfamiliar world of common sense to verify the truth. Much of the film remains focused on the tragic man: the ruler of the "most gifted, evil, and not lack of terrible talent".