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Get 3 Lamps The last thing for you to do when animating is use "daylight". Animating under sunlight is often a disaster. Why? Well sunlight changes second by second because of shading from clouds or simply just over the morning with regards to position. Thus whenever you are taking a snapshot to your stop motion lego animation the lighting will have changed. The light levels won't be apparent for you but when you take part in the animation back you will note what appears to be "light flicker". This is very distracting on the viewer. So to counteract it you'll want to filter out daylight to a large extent and rehearse artificial light. Three standard desk lamps is adequate nicely. Place them strategically around your set and maybe use some paper to dampen down or reflect the harsher lamps to soften the appearance and get away from light glare. Assume that you're creating a Xmas function or a school fundraiser along with your subject matter is A Night with the Races. If you have your private phantom race caller you happen to be able to change the horse names and race names to fit your private needs and really include that personal touch towards the experience. You could list all the races as the company products, school curriculum or business territories. You could use the primary boss's names or even the principal and teachers names around the race card. Most races currently happen to be backed by a fancy dress name so as opposed to hearing them call out Race top rated, race number 2 etc you obtain the sponsor's name to the race details as every opportunity. This technique, this agreement there have been countless films throughout the twentieth century and you could say, will be the cornerstone from the animated film, is to record frame by frame, drawn images, puppets, silhouettes as well as other objects inanimate, then "simulate" the movement with the same with the projection of that record.